Thursday, 18 July 2019

James Lovell fl (1747 - 77) - Carver and Marble Mason.




James Lovell 
Carver, Marble Mason.
fl. 1747 - 77.

some notes.

Nothing is known of Lovell’s background or training, but McCarthy suggests that he may have been a pupil in the studio of Peter Scheemakers and Laurent Delvaux. The earliest evidence of his activities dates from 16 January 1747, when he received a payment of £100 from Sir James Dashwood, perhaps for decorative work at West Wycombe Park. He was then working at Stowe where on 31 January he was paid £8 14s ‘on balance for a year’s carving’, followed by another payment of two guineas on 23 May (Stowe Building and Repair Accounts in McCarthy 1973, 222). Over the course of the next 30 years Lovell executed a considerable amount of carving at Stowe, including chimneypieces, architectural ornaments in various materials, reliefs and statues (15, 17, 20, 23-30).



Lovell was seen by Gunnis as a protégé of Horace Walpole because of two linked commissions. In 1756 Lovell carved the Montagu family monument at Horton (3). Walpole apparently designed this and supervised Lovell's work, for he wrote to Frederick Montagu on 28 August 1756, ‘I saw Lovel today, he is very far advanced, and executes to perfection; you will be quite satisfied; I am not discontent with my design now I see how well it succeeds’ (HWC, vol 9, 195). Two years later Lovell carved the monument to Galfridus Mann (4), designed by Walpole’s friend Richard Bentley. There is no evidence of further patronage by Walpole. Other monuments by the sculptor include the Fitzwalter, a ‘large and magnificent architectural work, with a white-marble urn set in an alcove of green marble’ (Gunnis 1968, 244) (2).

He worked with the architect Sanderson Miller on a number of occasions, for instance at Wroxted Abbey, Belhus and Hagley Hall. He supplied a rococo chimneypiece for the hall at Hagley (13) and one in the dining room is also thought to be his work because it has terms identical to those of the state dressing room chimneypiece at Stowe (15). Furthermore, Lovell appears to have supervised the decorative work at Hagley. For Miller’s own house, Radway Grange, Warks, he made a statue which Bishop Pococke described as, ‘Caractacus in chains, modelled, under Mr Miller’s directions, by a countryman of great genius now established in London’ (Dickins and Stanton 1910, 270) (8). Lovell worked in conjunction with the London carpenter and builder John Hobcraft at Stowe, Belhus, Croome Court and at Newton Paddox, Warks, where he received a payment of £293 17s for unidentified work in 1768.


Walpole noted that Lovell had his premises in ‘Mortimer Street near Oxford Road’ (HWC, vol 35, 644) but by September 1766, when one of Lovell’s employees, a Thomas Austin, was tried for stealing a piece of Siena marble from his master, he had moved to Charles Street. Another assistant, John Marsden of Titchfield Street, Marylebone, gave evidence in the case (The Proceedings of the Old Bailey, ref t17660903-20, 3 September 1766). 

Two years later ‘James Lovell, of St Mary le Bonne, carver and mason’ became bankrupt (London Mag, 1768, vol 37, 711), because of his over-reliance on a narrow circle of aristocratic patrons. He was obliged to move to premises in Wall Street, which he rented from Lord Temple for £20 a year. In spite of these difficulties he continued in business until 1777 or later.
EH


Literary References: Gunnis 1968, 244; McCarthy 1973, 220-32; Cornforth 1989, 152-5; Beard 1993, 88-110; Craske 2000 (2), 113 n35



List of Works


       1. Sir Thomas Lyttelton Bt (†1751) Funerary Monument (designed by Sanderson Miller c.1754. (destroyed)

2. Benjamin, Earl Fitzwalter.  Funerary Monument.1756. Chelmsford Cathedral, Essex

3. Edward and Henrietta Montagu            Funerary Monument      1756       Horton, Northants

4. Galfridus Mann (†1756) Funerary Monument (designed by Richard Bentley)    1758       Linton, Kent

5.  General James Wolfe. Funerary Monument   1760. Westerham Church, Kent

6. Bishop Richard Osbaldeston   Funerary Monument      †1764    Hutton Buscel, N R Yorks

7. Thomas Trotman         Funerary Monument      ?1777    Bucknell, Oxon

8. Statue of Caractacus (or ‘Ancient Briton’)  (designed by Sanderson Miller). Radway Grange, Warwicks, gardens

9. Belhus, Essex Several Chimneypiece   1754-1757            demolished 1956

10.  ‘A new French chimney piece, all of statuary marble, black coves’      Chimneypiece   1758       Croome Court, Worcs, lady’s dressing room (National Trust)

11. ‘Statry Marble with three mouldings’ Chimneypiece 1758       Croome Court, Worcs, ‘dressing room over lord Coventry’s dressing room’ (National Trust)

12. ‘Two Marble Chimney Pieces Black Marble Coves’     Chimneypiece   1758       Croome Court, Worcs, saloon (National Trust)

13. Rococo          Chimneypiece   c1760     Hagley Hall, Worcs, in the hall

14. Two Chimneypiece  Belhus, Essex     ?1767    untraced

15. Chimneypieces Several Stowe House, Bucks, including those in the state dining room and state bedroom 1752-1777      

16. Ornaments for ceilings            Architectural Sculpture  1751       Wroxton Abbey, Oxon

17. ‘two cupids with branches in their hands’      Architectural Sculpture  1752       Stowe House, Bucks

18. Capitals (designed by Thomas Prowse and Sanderson Miller) Architectural Sculpture  1754       Warwick Shire Hall

19. Gothic ornaments    Architectural Sculpture  1754       Belhus Essex. demol 1956

20. Interior ornaments  Architectural Sculpture  1752-1754            Temple of Concord and Victory, Stowe House, Bucks, gardens (National Trust)

21. Gothic ornaments    Architectural Sculpture  1757 demolished 1956,

22. Marble and wood carving. 1758-1761. Croome Court, Worcs (National Trust)

23. Four muses. c1762. Anglesey Abbey, Cambs (National Trust).

24. Twenty-one medallions commemorating the Seven Years War
(from designs by James Stuart).1763 Temple of Concord and Victory, Stowe, Bucks, pronaos and cella, gardens (National Trust)

25. Festoons and other ornaments. c1767 Corinthian Arch, Stowe, Bucks, gardens (National Trust)

26. Religion and Liberty; Ceres and Flora, two pairs of figures. c1774          Stowe House, Bucks, south front parapet

27.Six roundel reliefs. 1775. Stowe House, Bucks, east and west wing window lunetttes

28. Composite capitals. 1775-1776 Queen’s Temple, Stowe House, Bucks, gardens (National Trust)

29. Two roundel reliefs of dancing figures representing the seasons, frieze depicting the ‘sacrifice of Bacchus’, doorcase and ornamental details. 1776   Stowe House, Bucks, south front portico

30. Plaster reliefs and ornaments.  1773-1777. Stowe House, Bucks, interiors

31.Tabernacle.nd St Jaques, Douai, France.

____________________



THE NORFOLK HOUSE CHIMNEYPIECE
ALMOST CERTAINLY DESIGNED BY GIOVANNI BATTISTA BORRA AND CARVED BY JAMES LOVELL.

English. Circa 1755.

The Great Room, Norfolk House, St. James’s Square, London






Info and photograph from





White Hall at Hagley Hall.


Lovell.

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